Pinky Swear is currently out of stock (sorry!)
First, Doug will teach you the Pinky Count and how he handles the Pass (riffle, dribble and classic variations). Everything you need to know is described, from every angle, so you can start using these elusive techniques in your own work.
Pinky Count Overview
Doug details the mechanics of the Pinky count and its many uses: Breaks for double turnovers, TILT, obtaining deep breaks (Braue, Atfus, etc.); he discusses what sparked his interest in the move and describes a great drill to help you get started.
Doug leaves no detail untouched when teaching you his personal handling of the pass which has evolved from ideas by Derek Dingle, Mark Aspiazu and others. The riffle, dribble and classic variations of the pass are taught. Multiple camera angles and split-screen teaching insures you learn the real secrets to an invisible pass.
Contents of Pinky Swear
Coincidice / Fourtunate / Random Specificity
Three unique tricks using cards, dice and a bit of coincidence. Coincidice and Fourtunate provide a unique synergistic surprise while Random Specificity allows you to perform the effect impromptu with selected cards.
Following a flashy ace production (a bonus routine) you gobsmack the brain with the apparently moveless Magic Spell: The aces are shuffled into genuinely different sections of the deck and then, without hesitation, spelled to.
Legendary Ace Cutting
Remember John Scarne’s legendary ace cutting demonstration? Now you can do it. The aces are shuffled into a borrowed deck and then genuinely cut to.
An Artistic Application
Two freely (really) chosen colors magically appear on a selected card. The two colors are then magically blended into one new color and the card is handed out as a souvenir.
Work on the Open Index
Gain full control over every single card in the deck. Doug opens up new possibilities by allowing spectators to freely name cards rather than removing them from the deck and have them under your control almost instantly, without the slightest glance at the deck.